Craig’s Bond is “Actual physical, heroic and therefore masculine when engaged in motion”, Dr. Funnell writes, but he’s “feminized… relative for the gaze with the passive positioning of his exposed muscular entire body in scenes in which he is disengaged from action”. Put simply, the digicam loves him development (see https://www.watchesworld.com/from-sean-to-daniel-tracing-the-evolution-of-james-bonds-iconic-watch-collection/